Electronic Dance Magic

To those of you who have been following me for a while and to those who have just joined this journey: welcome!

Writing and producing “Electronic Dance Magic” wasn’t just a stylistic exercise or the desire to add new songs to my discography in 2025, but rather an attempt to answer a question I’ve had since my debut in ’81: what happens when the body lets itself be carried away by the rhythm?
In this album, electronic music isn’t an end, but a means. Tracks like Build Your Joy or Blaster Star aren’t created to fill a silence, but to create a space of asceticism.
We often live stuck in rigid structures, and the dance I’d like to convey to you with these tracks is “liberating” in the deepest sense of the word; it’s an invitation to untangle the knots, to let movement become a form of personal and collective transformation and liberation.

In this journey, I can’t look at music without considering its anthropological roots. In Electronic Dance Magic, I tried to bring together the immediacy of clubbing culture with the complexity of my instrumental background.
There’s a subtle thread that connects the synthetic beat of a remix like “What A Champion” to the breath of the flute or the touch of the tablas that marked my studies. It’s a multi-layered engagement, rediscovering that spark of happiness that a well-tuned bass can provide, remembering that every rhythm is a universal language that breaks down boundaries, exploring new sonic architectures that also embrace the warmth of funk and jazz.
I’m not worried about easy applause, but I’m interested in the connection that’s created. When you listen to tracks like “Bang The Funk” or “Yeah, Super!!!,” I want you to hear not just a sequence of sounds, but an impulse to be there, here and now. The “magic” the title refers to is precisely this: music’s ability to transform a state of mind, to elevate an ordinary day into a moment of awareness through the body and mind.
This album is my way of telling you that, despite the decades that have passed, the enthusiasm for sonic discovery has not waned. I hope these tracks can become the soundtrack to your moments of freedom.

Thank you for being a part of and sharing these Dances and this Magic Together.

The Hip Hop Side Of Jazz

Among the beauty of so many musical genres, two in particular stand out for me: the brilliant constructions of Jazz and the street beat of Hip Hop. Growing up listening to and playing these musics, I decided to blend them together to create some tracks where I can express my gratitude for what they have given me and taught me.
I deliberately chose simplicity of performance and listening to reach as many people as possible, and, in a certain sense, I wanted to embody the thinking of Miles Davis and Gerri Mulligan, who, after composing and performing extraordinary music for decades, deliberately began to play fewer notes and breathe between them and the silences, leaving room for imagination, interpretation, and listening to go where one feels.
I have not sought to imitate or replicate what Masters like them do, but simply to play and have fun in order to share these experiences. May Joy permeate your hearts as you listen.
Endless Love

Cinematic Experience

Today I’d like to talk to you about a project that feels particularly close to me, almost a natural extension of my way of observing the world: “Cinematic Experience.”
If in my previous works we explored movement and the liberation of the body through rhythm, here the invitation is different. It’s a proposal for a deeper and more intimate listening, an attempt to break down that invisible wall that often separates the composer from the listener. I wouldn’t want you to think of these songs as “mine,” but rather as open sets, sound spaces where each of you can project your own story, and your own life like a film,
beyond the vision, within the listening.
The album title doesn’t just refer to the world of cinema and soundtracks in which I feel born and raised; for me, “Cinematic” is everything that evokes an image, a memory, or a touching emotion.
In this album, I tried to translate into music the grain of an emotion, the depth of a gaze, the density of an expectation.
There is no “composer” who explains and a “listener” who perceives; rather, we are there, immersed in the same sonic texture. When you listen to these tracks, I’d like you to feel an integral part of the composition itself: your feeling is the final instrument that completes the work.
Cinematic Experience is born from a sober approach, where each note is carefully considered so as not to overload and, from time to time, to accompany, to journey, to close your eyes and also open your subconscious. It’s a work of subtraction and tact.
It’s an invitation to introspection, to rediscover those fragments of ourselves that we often overlook in the noise of everyday life. It’s a dialogue between instruments, tensions that resolve and sometimes leave you breathless. It’s a wolf rising from an opal stone under the influence of the full moon. It’s sunflowers circling. It’s the joy of describing with emotions.
This is my way of being close to you, offering a hand toward that place where words cannot reach but sounds do. May Cinematic Experience be a safe haven for you, a landscape to traverse without anxiety or fear, one that can give you the certainty of finding something deeply personal.
I thank you for the time you will dedicate to these notes, these atmospheres, and for the sensitivity with which you will embrace this work, because we are part of the same story.

With Gratitude

WOW


Today I want to share with you how Disco “Wow” was born, a dialogue between deep roots and new explorations.
Sometimes music is born from listening and the processes that arise from it, like an idea, a fragment of sound that has existed for a long time, can transform and find a new place in the present.
The inspiration for this project also comes from existing songs, pieces that carried with them an energy and expressed potential but that can also be revisited and taken on new directions. I felt the need to return to them once again, not to replicate them, but to reimagine them, to see where they could take us today, like
roots that extend into the modern world through a different branching and resulting design.
“WOW” is, essentially, a bridge, a bridge that connects my most solid musical roots—the deep, scratchy soul of the blues and the sophisticated groove of acid jazz—with more recent textures and sounds.
It’s not about nostalgia, but rather about respect for the original source, for that emotional sincerity that only the blues can convey, and for that enveloping rhythm typical of acid jazz.
The challenge was to blend this legacy with new ideas, with the most contemporary electronics and arrangements that sound fresh, urban. The result is an exploration that maintains a warm, analog heart, yet moves lightly within the context of modern times, demonstrating that certain languages ​​can unite ordinary time with that identifiable by decades and musical genres.
And Human Rights are also addressed with the song “Love and Let Love Manifesto,” a theme essential to me because Rights concern Everyone without distinction. If we consider that each of us wants to be happy and not suffer, we must understand that everything happens through interdependence and that everything depends on something else. Therefore, we must shed our ego and consider other sentient beings with genuine Love and Compassion. Those who have dedicated their lives in this way have certainly been and still are the extraordinary examples of Gandhi, Martin Luther King, Nelson Mandela, and H. H. the Dalai Lama, these Figures pass on their Teachings to future generations to build together a better society that achieves equality and equality.
“WOW” aims to be a series of roads and sometimes paths—not simple, as if there were asphalt underfoot, but rather earthly ones that immediately offer an immediacy of alternative ways to travel through listening and visit new destinations.
With the hope that, by listening to the songs, you can grasp the tribute to the past of musical styles that have contributed so much in terms of liberation in a shared sonic space where we can come together and experience that happiness so that it can become stable, definitive, and immovable.
Joy for All

13 Variations on From the Bottom of My Heart

More than watching
I observe
I move my gaze in my
Inner Universe
I do not search and I do not move
I do not chase thoughts
and in my immobility
I let them flow.
Dispelled clouds
in a Splendid autumn sky that envelops everything
without being envelops,
that pervades
free from conceptions
Spontaneity not born
because it exists without depending on time
and conceptions
Great Joy
Immutable.

Created with GIMPhttps://open.spotify.com/intl-it/album/6cPVi3f2tUAm31z33XQNML?si=dZCqSr4gQRSPYrFuFeL-vw

From the Bottom of my Heart

Dreams, colors, images, emotions,
Sounds and vibrations,
Fantasies,
Listen, reflect, meditate,
Go far away and return,
Hit the bottom and go back up,
Venture into space and never find its boundaries………
Words are used to indicate, reveal, recognize,
their energy does not cease when we no longer feel them,
They continue.
The same can be said of Music,
it doesn’t vanish into thin air but continues to move,
to go,
to cross,
what is subtle reaches everywhere,
to and From the Bottom of my Heart.

https://open.spotify.com/intl-it/album/4dsOghqM4kc6qdIs4TxIIc?si=auqtalTjTfm32rSsgo8HLA

Sampgloria

“Canta il Cuore della Sud

Dai SampDoria Vinci Tu

Sale il Coro fin Lassù

Nel Cielo Blu Cerchiato di Blu”

This song is dedicated to the team of my heart, Sampdoria, the Eternal Girl of ’46 with those magical colors that give us shivers and to the Blucerchiati supporters that always incessantly sustain and blaze wherever the game is played.

https://open.spotify.com/intl-it/album/6x4qSd4jDz2vleoLrc8Dsl?si=bk4_0fMqT1SXesWRsZrR7A

Gold Remix

One of the things I like most about music is the possibility of modifying, transforming and reworking every single idea into a new development. The introduction can be revised, a new solo can be performed, the speed and tempo can be changed, we can safely say that the variations are incalculable because there is no limit to the imagination and therefore it will then depend on the ability of the composers as well as the arrangers and musicians to develop an increasingly interesting track. Sometimes I wonder if geniuses like Michelangelo and Leonardo Da Vinci have ever passed for the head of making two versions of a painting, Caravaggio for example repainted his paintings when he was not satisfied and it was possible to discover this centuries later through the analysis of his works with sophisticated tools. Personally I love creating multiple versions of a piece and also remixes are a form that I adore, it’s like giving a story more possibilities to begin, develop and reach its conclusion, always having many open doors and places without borders communicating with each other where you can wander freely. Gold Remix is a collection of stories that you can listen to, of my audio stories that you could in turn revisit and travel again and again without stopping because the beauty of a journey is also the possibility of uniting two distant places. Enjoy

https://open.spotify.com/intl-it/album/5vqL0tFgeGybzfkOmuEVjS?si=HzUfx5dARrW6BSAevBJJZQ

xr:d:DAFxokVS2Ag:4,j:7521417793626845192,t:23101818

Music in Absence of Obstructions vol. 2

The musical journey continues in this second volume made up of tracks with very dilated tempos, where rhythms and drums are practically absent and there are no scansions that determine the trend but rather the sound research and exploration continues with the intention of be in resonance with the vibrations, float with the waves and go with the flow.
I believe that there is not a center of the universe and not even a point on which it rests, there is the possibility of moving and there is endless space, one can continue to explore, experiment and create, and I am not looking for a point of arrival, why should I be content to stop when I can always discover something new?
This is the second volume where the ideas that I began to develop in the previous one continue, I hope you can appreciate what I have chosen to create and share with you this time.

https://open.spotify.com/album/3BwjWcWVDbhGSyx7ChrCA2?si=8elRhKd5Q_SNwWHGLvzMVg

All You Can Beat

All You Can Beat is not intended to be an adaptation of the famous phrase all you can eat or even a slogan, rather it is an invitation to be carried away by the rhythm, feel the vibrations of the bass drum and bass that rise from the floor into the foot to rise up and pervade the body, letting go and following that irrepressible flow that makes us move, sway, spin and jump, the impulse to move synchronized together in that collective ritual that we can call rave party, disco, dancehall, chiringuito, wherever the notes can make us fly ecstatic, free from thoughts and afflictions, it is every gathering or meeting where all differences are canceled out and finally we are all equal, without distinction.

All You Can Beat simply wants to be the spontaneous Joy to which any of us aspires, the Happiness which is very more than our right, it is our nature.

We dance and rejoice, in completely free bodies and minds.